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Amano, intentionally or not, knew how to distribute the spotlight properly so that bland characters stayed out of the center stage just enough for their weaknesses to remain hidden, while dynamic characters were allowed to breathe. There were a select few that I personally couldn’t be bothered to care for, but none of them became so offensive that I questioned the necessity of their existence.
This was undoubtedly the series’ greatest strength, and looking at her work over the course of the series’ run, it would seem she excels at creating memorable characters and giving them life. I’ll always remember it for the zany characters – the cast was large, but they somehow managed to stay differentiable and shone in the spotlight when given the chance. It was a whimsical decision to start reading KHR!, and despite its flaws, it has been an endearing and enjoyable series.
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It’s always a troublesome challenge thinking of a suitable ending for long-running shounen series, and for Katekyo Hitman Reborn!, at least it ended not quite the ideal finale I imagined, but the series has its closure, which is more than I can say for many of its counterparts (e.g. While the second last chapter was possesses the standard characteristics of a rushed and abrupt ending, the closing chapter does wrap things up thematically, and the shots of the various cast members reinforce Tsuna’s journey quite nicely (not to mention they’re nice to look at!). Reading the last two chapters of Katekyo Hitman Reborn! together, “ambivalent” is probably the best way to describe my feelings after the experience.
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